Bleeding is a big problem when using a variety of vocal effects and modulations inlive performance. For example, if you use extreme settings of modulation effects, it can sometimes sound very strange if they also react to the nearby guitar. Effects-laden crosstalk can make the sound seem diffuse and muddy, or even lead to tuning problems.
What do I get out of the SGV-6's high directivity?
To get around this problem, the SGV-6 has been equipped with an extreme directivity pattern that responds only to signals that are input directly from the front. The signal separation achieved in this way then allows the free use of various effects that are actually intended only for the voice. in combination with Zooms V6-SP or the Zoom V3 there are thus no limits to creativity, and the full potential of vocal effects can also be fully exploited in live operation (also with effect processors from other manufacturers).
