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With Squid, Toraiz presents a 16-track multitrack sequencer that can record connected equipment via MIDI and CV/Gate. Squid sees itself as a central control element for expanders, synthesizers, drum machines, mini synths and modular systems. Different sound generators can be assigned to 16 tracks, which are fired with notes via a compact and transportable device. Each track has a storage capacity of 64 patterns, the length per pattern can be up to 64 steps (4 bars); 128 projects can be archived and recalled internally. The Squid Manager software provides fast import and export of patterns, projects and MIDI clips between the sequencer and a computer. Likewise, patterns can be exchanged between Squid and the DAW in a snap
Each pattern can be recorded using different methods. Kick drum and hi-hat, for example, are programmed in the TR grid. The bass line is played in by hand using the sixteen velocity-sensitive pads or a connected keyboard; quantization is helpful here, as it places played notes exactly on the steps. In chord mode, tuned chords provide accurate note combinations. The arpeggiator, which can also be activated in the pattern, serves as a further playing aid. A maximum polyphony of eight voices is provided per step. Another highlight is the random function for pitch, note length and velocity per pattern, in addition, program change and control change (CC#) commands can be changed and recorded in real time!
Different playback effects per track give enough room for variation of the just created pattern. By means of crossfader, rhythm changes are smoothly integrated into the action and detach the mere playback of patterns from its original grid. In order to be able to play melodies far away from the proven 12-tone scale, a selection of further tone scales can be found in the Squid. Not to be left unmentioned is the global Swing/Shuffle control, a quick twist and the magic line from four-to-the-floor to house and funk is crossed.
The programmed sequences are then forwarded to the expander and synthesizer via two MIDI ports. Optionally to the second MIDI output, this can be assigned as Thru, which facilitates integration into more complex setups. Two full CV/Gate outputs can be assigned to the tracks as well. Since these are switchable between Volt/Octave and Hertz/Volt or Gate and S-Trigg, everything from Eurorack modular systems to the original Minimoog to a Korg MS-20 can be connected that requires control voltage for "communication". Via the two DIN Sync outputs, for example, a TB-303 and a TR-606 can be synchronized directly with the Squid. There is also a clock output, which is useful for the Korg Volca series or the Teenage Engineering Pocket series.
I was looking to have a full no-computer-only-hardware setup and this machine is the perfect "brain" to sequence drum machines/synths.
It's very easy to get the hands on. You can start straight to make patterns and tracks and organise your live set. It's probably most suited for live performances than for music production, although it should be quite easy to export the patterns and tracks into a DAW and use them as a starting point for further works.
With plenty of connections, it's quite easy to connect and use new and old hardware.
One thing i found great is the ability to hook up old gears and enhance them with the intuitive sequencing capabilities of this machine. It basically let you make old, arcane and hard to use machines way easier to program!
Very easy to use and has lots of nice features. Well built. Would wish there was global function to change scales of all melodic tracks at once and also the cool timing functions should be global. Otherwise awesome!
