Dual stacking overdrive pedal with analog circuitry and two channels
Overdrive pedal, made in Germany
Two separate overdrives in one pedal
Red channel for a transparent Overdrive with a smoother gain structure
Blue channel corresponds to the original, open Okko TwinSonic sound
Gain control for the intensity of distortion in each channel
Volume control for the volume of each channel
Voice knob determines the tone of each channel
Hi-Cut control for reducing the treble of each channel
Three-stage mode switch for bass response of each channel
Analog circuit with charge pump for 18 volts internal working voltage
Two true bypass footswitches
Sturdy metal housing
Operation with 9V battery or optionally available power supply unit
Versatile Dual Stacking Overdrive
With the Okko TwinSonic MkII, the creative effects company from Leipzig sends the second Generation of its popular Dual Stacking Overdrive into the race. Two distinct, fully analogue overdrive circuits with intuitive settings allow you to create diverse overdrive and distortion sounds with characterful gain textures. The smart circuitry of Okko's TwinSonic MkII Overdrive also relies on a charge pump to boost the internal working voltage to 18 volts and achieve tremendous headroom.
Two channels
In order to create multi-faceted overdrive sounds, Okko equips the fully analogue TwinSonic MkII pedal with two distinct overdrives that can naturally be used individually or together. The first place of the internal signal chain is taken by the red channel, whose sound character is clearly oriented towards contemporary transparent drives with a smooth gain structure. The blue channel behind it, on the other hand, represents the original TwinSonic sound with the unmistakable open and dynamic character of a fully cranked vintage amp.
Intuitive settings
Thanks to identical controls on each channel of the Okko TwinSonic MkII, setting up the perfect overdrive sound is particularly intuitive. While the Gain and Volume pots adjust the amount of distortion and volume as usual, and the Hi-Cut control tames the highs, the EQ control determines whether the sound is open and full or tight and mid-focused. The three-position Mode switches also affect the bass response of each channel.
