Note: Customers who purchased the Pro-Q 3 after October 14, 2024 can upgrade to version 4 free of charge via the manufacturer's website
New in version 4:
Further improved user-friendliness
EQ Sketch allows the EQ curve to be drawn quickly and easily with the mouse
the new Instance List allows you to control the parameters of all Pro-Q instances in the entire session from a single plug-in interface
the spectral dynamics function allows problematic frequencies to be processed more precisely and efficiently
various sound character modes are available to create a vintage analog feel if required
improved dynamic EQ section with attack and release parameters and optional free side-chain filtering
improved dynamic EQ processing for less distortion and a cleaner sound
improved precision in linear phase mode
new all-pass filter shape
EQ bands or presets can be copied and pasted between instances or via the new instance list
Improved sonic adaptation to analog EQ models in zero-latency and natural phase mode
Change parameters directly via the value display in the EQ controller by dragging or using the mouse wheel
New and fresh design
slopes can be set very small, z. B. an LP or HP filter with 3.5 dB/octave
Note: This item is supplied as a download code. You will not receive a DVD or box!
General features:
highest possible sound quality
up to 24 EQ bands
universal slope control for all filter types, up to 96 dB/oct
Auto-gain function and gain scale
optional piano roll display for quantizing the EQ frequencies to musical notes
different display ranges: 3 dB and 6 dB ranges for mastering, 12 dB and 30 dB for mixing
intelligent solo mode makes it easier to find problem frequencies by soloing a band
Phase inversion option for changing the polarity
large output level display with peak level display
can be operated in zero latency mode, in linear phase mode with adjustable latency or in the unique natural phase mode
various user interface sizes and additional full-screen mode
extreme CPU optimization: Pro-Q 4 consumes very little CPU and memory, allowing hundreds of instances to be used in one session
GPU-supported graphics acceleration
double-click text input of parameter values
Supports common Pro Tools hardware user interfaces
Undo/Redo and A/B comparison
Intelligent parameter interpolation
Sample-accurate automation of all parameters
FabFilter Pro-Q 4: The future of equalizing
Extensive help file with interactive tips
available in VST, VST3, Audio Units, AAX Native and AudioSuite formats (all both 64-bit and 32-bit)
optional Dynamic EQ mode for all bands (bell and shelf shapes), with any slope and perfect analog matching, with optional external side chain triggering
appealing Retina user interface with large interactive EQ display, multi-band selection and editing for maximum ease of use and efficiency
extremely steep 'brickwall' tilt angles for LP and HP filters
EQ match function for automatic adaptation to the spectrum of another Pro-Q 3 instance or an external signal
built-in spectrum analyzer with pre-EQ, post-EQ and external spectrum visualization, adjustable range, speed, resolution, tilt, Freeze and detection of masking effects
External spectrum visualization from any other Pro-Q 3 instance, including detection of masking effects
Center/side or left/right processing per band: center, side, left or right signals can be processed separately
Flat Tilt filter shape, a flat tilt correction curve over the entire audible frequency spectrum
Spectrum Grab: grab the desired peak in the real-time spectrum analyzer and adjust it immediately
MIDI Learn with the option to control the currently active band
Full surround support (up to Dolby Atmos 9.1.6) with intelligent speaker selection
Improved user-friendliness and efficiency
The latest version of FabFilter Pro-Q 4 offers a number of new features that make the workflow even smoother and more intuitive. With the new "EQ Sketch" function, users can draw EQ curves directly with the mouse, allowing for faster and more precise sound shaping. Another innovation is the instance list, which allows all EQ instances within a session to be controlled via a central interface - a huge advantage for complex projects. With the expanded dynamic EQ section, attack and release parameters can now be precisely adjusted, allowing even more detailed sound control. Thanks to the new all-pass filter shape and optimized precision in linear phase mode, the Pro-Q 4 offers exceptional flexibility in sound processing, while the fresh design provides an even clearer user experience.
Revolutionary sound processing options
FabFilter Pro-Q 4 sets new standards in terms of sound quality. With up to 24 EQ bands and universal slopes of up to 96 dB/octave, the plug-in is perfect for use in any mixing or mastering scenario. The new spectral dynamics function makes it possible to process problematic frequencies more precisely and efficiently. Various sound character modes are available for a warm, analog sound feeling. Whether in zero-latency, linear phase or natural phase mode, the sound quality always remains at the highest level. The dynamic EQ processing has also been improved, resulting in less distortion and a clean sound, even with extreme adjustments.
Extensive visual and functional control
The user interface of the Pro-Q 4 offers a variety of visual aids that make sound processing easier. The built-in spectrum analyzer visualizes the frequency spectrum in real time and supports processing with the "Spectrum Grab" feature, which makes it possible to adjust peaks directly from the visualization. The plug-in also offers flexible display ranges (3 dB to 30 dB) for different mixing and mastering requirements. The intelligent solo feature helps to filter out problematic frequencies by making individual bands audible in isolation. In addition, Pro-Q 4 can easily handle surround sound formats such as Dolby Atmos up to 9.1.6, making it ideal for modern film and music productions.
Optimization and compatibility at the highest level
FabFilter Pro-Q 4 shines not only with its functionality, but also with its extreme efficiency. The CPU optimization makes it possible to use hundreds of instances simultaneously without placing a heavy load on the system. Thanks to GPU-supported graphics acceleration, the user interface always remains smooth, even with many instances running. Pro-Q 4 supports a wide range of formats, including VST, VST3, Audio Units, AAX Native and AudioSuite, and is fully compatible with the most popular DAWs and Pro Tools hardware user interfaces. Features such as undo/redo, A/B comparisons and a comprehensive help file also make the plug-in particularly user-friendly. Pro-Q 4 offers everything you would expect from a modern Equalizer and sets new standards in audio editing.